From Wikipedia:Brought to Light: Thirty Years of Drug Smuggling, Arms Deals, and Covert Action is an anthology of two political graphic novels, published originally by Eclipse Comics in 1988. Both are based on material from lawsuits filed by the Christic Instituteagainst the US Government. The two stories are Shadowplay: The Secret Team by Alan Moore and Bill Sienkiewicz, andFlashpoint: The LA Penca Bombing documented by Martha Honey and Tony Avirgan and adapted by Joyce Brabner and Tom Yeates. Brought to Light was edited overall by Joyce Brabner, Catherine Yronwode acted as executive editor, and Eclipse publisher Dean Mullaney was the publication designer.Shadowplay: The Secret Team written by Alan Moore and drawn by Bill Sienkiewicz with an introduction by Daniel Sheehan (general counsel of TCI). It covers the history of the Central Intelligence Agency and its controversial involvement in theVietnam War, the Iran-Contra affair, and its relationship with figures like Augusto Pinochet and Manuel Noriega. The narrator ofShadowplay is an aging anthropomorphic American Eagle, a bellicose retired CIA agent.As Moore's first major work which was not superhero oriented, it was highly praised for its storytelling and Sienkiewicz's sometimes brutal art. Moore received praise especially for blending the sometimes overwhelming mass of details into a coherent and effective story. Over the years there have been rumors that Moore was unable to travel to America due to the CIA being annoyed at his story in Brought to Light. However this was supposedly proved to be a rumor and the "real" reason was due to Moore not renewing his passport.[1]The story of "Shadowplay" is of an unseen character (presumably representing the oblivious American public in first-person view of the reader) in a bar, where he is approached by a man-sized, walking, talking eagle. The eagle, from the emblem of the CIA, proceeds to drink alcohol and, in a drunken stupor, divulge all the bloody details of The Agency's sordid past. Early on a reference is made to the number of gallons an Olympic swimming pool can hold, and the fact that an adult human body has one gallon of blood; from then on, the victims of CIA activities (directly or indirectly) are quantified in swimming pools filled with blood, each pool representing 20,000 dead. Sienkiewicz's dark, erratic, and blurry images keep the mood of Moore's narration (through the boozing eagle) unnerving, and hazily nightmarish.