Few twentieth-century artists were catalysts for the reclamation of a culture. Iljuwas Bill Reid (1920–1998) was among them. Born into a mixed-race family in Victoria, B.C., and denied his mother’s Haida heritage in his youth, Reid would go on to become one of the most significant Northwest Coast artists of our time. During his fifty-year-long career he was prolific and articulate—creating nearly a thousand original works and writing dozens of texts that gave voice to his vision and the cultural issues of his day. He is remembered as a passionate artist and an adamant community activist, mentor, and writer. Iljuwas Bill Reid: Life & Work details this incredible journey, exploring how Reid lived the reality of colonialism yet tenaciously forged a creative practice that celebrated Haida ways of seeing and making.  Reid worked as a radio announcer, then established himself as a well-respected jeweller. Following in the footsteps of his great-great-uncle, the master Haida artist Daxhiigang (Charles Edenshaw), he innovatively adapted Haida worldviews to the times in which he lived, eventually producing renowned large-scale works that today occupy sites of international importance, such as the Canadian Embassy in Washington, D.C., and the University of British Columbia Museum of Anthropology in Vancouver. Passionately engaging with a culture whose practices were once banned by the Indian Act, Reid embraced and emboldened a tidal shift that produced symbols for a nation and his art became iconic. This is Reid’s legacy—a complex story of power, resilience, and strength.